Exodus, 2021, oil on canvas, 140 x 170 cm Athens, january 2018. As I walk along the Parthenon, my guide stops to [...]
« Capital Punishment (Palmyra) », a double-sided painting, replicates a contrast that has provoked shock waves [...]
“At first glance, the picture Revolution on the Table (2011) is merely a painterly reproduction of a photograph [...]
"The Viennese exhibition was opened by three diptychs depicting women: Zarah Leander at Her Zenith, [...]
"In Nazi Holidays (2011), Adach made use of a photograph from an album found in Germany a [...]
"When Adach for the first time visited the Treblinka camp in September 2004, he got lost on his way back [...]
Visa de censure (Lost horizon) presents the active power of this dream-like leaning: an ideal palace of [...]
"Adam Adach sends us back to our childhood - when the experience of signs is mixed up with life [...]
Judenbuche's century Le siècle de Die Judenbuche Das Jahrhundert der Judenbuche « “These [...]
"With a slightly ironical distance, Adach approaches the recent attempt of some of our pseudo-politicians [...]
"The photograph is an unfinished sentence, a trace, the fragment of a story. Sometimes the author himself [...]
